New Music

Begriffliches Hören

Welcome to the Institute for Institutional Critique. "I have three or four good ideas a year."

26,00 

Dynamic Vibrations. Played with Hands and Feet

A cross-genre artist's book with compositions, texts, drawings and insights into his radical approach to music and art.

29,00 

REWORK: EMBEDDING CREATIVE PROCESSES OF REMIX IN THE CHAMBER OPERA LA LUNA

This thesis uses methods of artistic research to create a theoretical framework for examining Lorenzo Romano's compositional practice.

49,00 

Perspectives on Sylvano Bussotti

This volume illuminates the work of the Italian composer from a multi-layered and multi-perspective perspective.

32,00 

La musique, c’est moi!

Boulez wrote polemically and precisely. Driven by the desire to rethink music.

10,00 

Performing Live Electronic Music

The book complements a large number of academic essays, articles, performances, and recordings.

36,00 

… als ob Musik die Welt verändern könnte.

Pianist, composer, thinker: Stefan Litwin combines political reflection and radical music.

38,00 

Aufs Spiel gesetzt

A study of play, indeterminacy, and cybernetics: Michel Roth combines game theory, musical practice, and analysis to create new perspectives on contemporary music.

0,00 

nothing is original!

From the perspective of appropriation art, Bauer questions artistic categories such as original, repetition, and difference.

34,00 

Cause and Curiosity

A book about the composer's work.

38,00 

Dear Billy

The book sheds light on the life of William Pearson in the field of tension between new music, racism and artistic emancipation.

38,00 

Die Schönberg Challenge

Becher describes and listens to twelve works by Schoenberg with his readers. A playlist supports the listening experience.

24,00 

Politik des Hörens

This book considers hearing as a political asset—inspired by Luigi Nono's music.

32,00 

Schnee von morgen

For a long time, it seemed perfectly clear what musical theater was and where it should take place. But what does the future hold? What might the future of musical theater look like?

25,00 

George Gershwin

The biography of a composer whose symphonic and operatic music moves between blue note, double counterpoint, bitonality and Tristan chord.

32,00 

Die Mahlers in New York

Gustav Mahler was not made for New York ... he had more important things to do. Gustav and Alma Mahler from an American perspective.

34,00 

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