New Music

Product image: Tempo

Tempo

Tempo is the international journal for contemporary music—essays, interviews, and reviews on today's music.

15,00 18,00 

Book Cover: The Henze Challenge

Die Henze Challenge

A challenge for the ears: Christoph Becher invites you to discover twelve works by Hans Werner Henze —with QR codes, a playlist, and an entertaining and accessible journey through one of the most exciting soundscapes of the 20th century.

24,00 

Book cover: Composing While Black

Composing While Black

Revised and expanded: *Composing While Black* is now available with a new foreword—a incisive, urgent exploration of race, representation, and structural inequality in contemporary music.

22,99 29,00 

Book cover: I welcome whatever happens next

I welcome whatever happens next

Klaus Reichert Remembers John Cage – a book about music, listening, and collaboration. Told with precision and calm, it opens up new perspectives on sound, language, and the art of listening.

14,99 28,00 

Book Cover: The New Wild Harmony

Der neue wilde Wohlklang

On the 100th anniversary of Hans Werner Henze’s birth: A multifaceted volume on one of the most contradictory and influential composers of the 20th century—spanning the avant-garde, politics, and his personal musical language.

18,00 

Book cover: Śabdagatitāra

Śabdagatitāra

With *Śabdagatitāra*, Sandeep Bhagwati presents a radically new way of thinking about music across cultures—one that goes beyond cultural appropriation, exoticism, and Eurocentric assumptions.

26,00 

Book cover: *con tutta forza*: Bernd Alois Zimmermann

con tutta forza: Bernd Alois Zimmermann

The Intimate Biography of Bernd Alois Zimmermann, as told by his daughter: a multifaceted portrait spanning the avant-garde, postwar culture, and artistic radicalism.

39,00 

Book cover: Structuring the World Queerly [?]

Die Welt strukturieren queeren [?]

Structuring the world queerly an essay on compositional thinking beyond music. Eloain Lovis Hübner understands composition as a transdisciplinary practice of structuring, opening and queering the world.

16,00 

Book Cover: Where Does the Music End?

Wo hört die Musik auf?

Peter Kraut explores in 100 paired reflections the limits of music between listening experience, theory and philosophical irritation.

14,00 

Book cover: The Objective mind

Der objektive Geist

A radical manifesto on art as an autonomous form of thought propositions in verse of striking clarity.

18,00 

Book cover: This is not music

This is not music

Magdalena Zorn examines why sound has become the great metaphor of late modernity between resonance, spirituality and the desire to hear the world as unity.

12,00 

Book cover: “I hear the stones, see the sound, and read the water”

„Ich höre die Steine, sehe den Klang und lese das Wasser“

Maierhofer-Lischka's study takes us on an analytically precise journey into the fascinating world of contemporary audio-visual theater, where sound becomes visible space and architecture becomes an audible experience.

44,00 

Book Cover: Microtonality in Mexico

Mikrotonalität in Mexiko

A microtonal revolution in Mexico: Julián Carrillo wanted to break down the tonal system with his "Sonido 13." Jonas Reichert reconstructs for the first time, based on primary sources, the origins, works, and innovative power of this early avant-garde project (1921–1925).

48,00 

Book cover: Art-Interplay

Art-Interplay

A radical defense of the artistic “in-between”: Art-Interplay explores the tension between music, dance, drawing, and film—reflected upon theoretically and documented in a practical manner.

18,99 

Book Cover: The Voice of Music

Die Stimme der Musik

What does music say when words fail? This volume considers music as a language in its own right and explores its expression, meaning, and philosophical power.

21,99 28,00 

Book cover: Opera where it doesn’t exist

Opera where it doesn’t exist

Opera beyond the big cities: this book explores the spaces in between, questions established centers, and highlights the innovative potential of musical theater in the periphery—a new perspective on the future of opera.

48,00 

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