The Quarterly Review of New Music · since 1939

Writing about new music since 1939. Independent since 2026.

Tempo is where composers, performers and scholars write about the music of our time—at length, with care and with the curiosity that has defined the journal for more than eight decades. Since January 2026 it has been published by Wolke Verlag in Berlin, an independent publisher of books on new music, jazz and improvisation.

Until 31 December: 30% off the complete 80th volume with the code TEMPO80—also as a gift.

Volume 80 (2026)

Four issues, from January to December. The latest, “Feeling(s) Feeling(s)”, is devoted to emotion in new music: with Chaya Czernowin in conversation with Ed Cooper, contributions by Jakob Ullmann, Joanna Bailie, Carolyn Chen, Kate Ledger and Kelly Lovelady, and Christopher Fox’s tribute to Arnold Whittall (1935–2026).

Single issues are available in our shop: print €18, e-journal €15. Order single issues

A new chapter

In January 2026, Wolke Verlag took over Tempo from Cambridge University Press. Since then, the journal has opened up to a wider range of subjects and voices, works with writers from many countries and has a new look.

It still does what it has always done best: in-depth articles, interviews and composer portraits, and reviews of premieres, festivals, recordings and books from around the world.

Since 1939

Tempo was founded in 1939 as the house magazine of Boosey & Hawkes, conceived by Erwin Stein, a pupil of Schoenberg. Its editors have included Donald Mitchell, David Drew, Calum MacDonald and Bob Gilmore. From 2003 to 2025 it was published by Cambridge University Press.

The team

  • Editor-in-ChiefChristopher Fox
  • Co-EditorEd Cooper
  • Reviews EditorCeleste Oram
  • Copy-EditorAnna M Heslop
  • Editorial Advisory BoardTy Bouque, Elaine Fitz Gibbon
  • DesignDimana Vodenicharska, Patrick Becker

Subscribe

For readers

The complete 80th volume, four issues:

  • Print + online€60
  • Digital€36
  • Students€48
  • Benefactors€120

Every subscription can also be given as a gift. Until 31 December, the code TEMPO80 takes 30% off.

For libraries

The complete Tempo archive, every issue since No. 1 in January 1939, through our partner Exact Editions:

  • fully searchable, on all devices
  • IP authentication and remote access
  • annual subscriptions and perpetual access
  • MARC records and usage reports

Librarians can request a quote or a free trial from institutions@exacteditions.com. Ensembles and other non-academic institutions subscribe here (€140).

Editorial: editors@temponewmusic.com · Subscriptions and shop: wolke@wolke-verlag.de

Sign up for our newsletter so you don’t miss a thing.

The Quarterly Review of New Music · since 1939

New music, composed since 1939. Independent since 2026.

In *Tempo*, composers, performers, and scholars write about the music of our time—in depth, with care, and with the curiosity that has characterized the journal for more than eight decades. Since January 2026, it has been published by Wolke Verlag in Berlin, an independent publisher of books on contemporary music, jazz, and improvisation. *Tempo* is published in English.

Through December 31: 30% off the entire 80th volume with the code TEMPO80 —also available as a gift.

Born in 1980 (2026)

Four issues, from January through December. The latest issue, “Feeling(s) Feeling(s),” is dedicated to emotion in contemporary music: featuring a conversation between Chaya Czernowin and Ed Cooper, contributions by Jakob Ullmann, Joanna Bailie, Carolyn Chen, Kate Ledger, and Kelly Lovelady, as well as Christopher Fox’s obituary for Arnold Whittall (1935–2026).

Individual issues are available in our shop: print version for €18, e-journal for €15. Order individual issues

A New Chapter

In January 2026, Wolke Verlag acquired *Tempo* from Cambridge University Press. Since then, the magazine has broadened its scope to include more topics and voices, has been collaborating with authors from many countries, and has undergone a redesign.

She continues to do what she has always done best: writing in-depth essays, conducting interviews, and profiling composers, as well as reviewing world premieres, festivals, recordings, and books from around the world.

Since 1939

Tempo was founded in 1939 as the in-house journal of Boosey & Hawkes, at the suggestion of Erwin Stein, a student of Arnold Schoenberg. Its editors included Donald Mitchell, David Drew, Calum MacDonald, and Bob Gilmore. From 2003 to 2025, the journal was published by Cambridge University Press.

The Team

  • Editor-in-ChiefChristopher Fox
  • Co-EditorEd Cooper
  • Reviews Editor: Celeste Oram
  • Copy Editor: Anna M. Heslop
  • Editorial Advisory Board: Ty Bouque, Elaine Fitz Gibbon
  • Design: Dimana Vodenicharska, Patrick Becker

Subscribe

For readers

The complete 80th volume, four issues:

  • Print + online60 €
  • Digital36 €
  • Students48 €
  • Sponsorship Subscription120 €

You can also give any subscription as a gift. Use the code TEMPO80 to get 30% off through December 31.

For Libraries

The complete *Tempo* archive, every issue since No. 1 from January 1939, via our partner Exact Editions:

  • Fully searchable, on all devices
  • IP Authentication and Remote Access
  • Annual Subscriptions and Permanent Access
  • MARC records and usage statistics

Libraries can request an offer or free trial access at institutions@exacteditions.com. Ensembles and other non-academic institutions can subscribe here (€140).

Editorial Office: editors@temponewmusic.com · Subscriptions and Store: wolke@wolke-verlag.de

Subscribe to our newsletter so you don't miss a thing.

Made possible by the generous support of the Ernst von Siemens Music Foundation.

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