New Music

Salvatore Sciarrino. Vanitas

An interdisciplinary volume on Salvatore Sciarrino's composition Vanitas —with musicological, literary, and art-historical approaches to the aesthetics of transience.

28,00 

»kunst ist das gegenteil von verarmung«

This analysis examines Hans-Joachim Hespos’ compositional strategies—which navigate the tension between excessive demands, theatricality, and notation—and demonstrates how his works deliberately engage with ambiguities in interpretation and reception.

28,00 

MO-NO

A book to listen to in your mind: Dieter Schnebel’s “MO-NO” transforms the reader into a performer of imaginary music that exists somewhere between sound and silence.

32,00 

Berlin Sonic Places

"A Brief Guide " is both a tribute to and an exploration of Berlin’s sounds and soundscapes—in all their moods, ranging from noise to silence.

12,00 

Sonifikation / Sonification

Program book for the Sonifikationen festival – Sounding data streams  

12,00 

Daily Sounds All Around

Everyday noises become sound sculptures and can be experienced in a new way.

14,00 

Plowed Time

A representative cross-section of the composer's extensive music-related writings.

24,00 

Not, List und Lust

New edition: edition second, greatly expanded edition. Music between conformity and truth.

29,80 

Musikästhetik

A multifaceted musical aesthetic that understands music as an autonomous form of expression with its own cognitive quality. For anyone who wants to understand music more deeply.

39,00 

Jennifer Walshe

Jennifer Walshe develops a “New Discipline”: performative music as a multimedia search for identity.

15,00 19,00 

Kadenz und Gegenwart

An analysis of Froberger’s allemandes as mental spaces of time situated between composition, tonality, and the existential experience of time.

19,00 

Dimitri Schostakowitsch

Shostakovich's music as a musical testimony to his time – a powerful monograph about fear, hope, and the power of art.

28,00 

Rihm und Artaud / Rihm et Artaud

Rihm's music theater demonstrates how Artaud's theatrical concept influenced his compositional language.

29,00 

Untersuchung des Begriffes „Klangfläche“

A theory of soundscapes and analysis of post-serial structural principles.

19,00 

Umgepflügte Zeit

A unique dialog about Klaus Huber's work accompanied by sketches, analyses and a catalog raisonné.

38,00 

Der Komponisten Mut und die Tyrannei des Geschmacks

Insights into the struggle with sound, form, and meaning: conversations with composers about what lies behind the music.

24,00 

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