Caprices

Das hörbare Hören

Five inspections of the composed playing field. By Jan Kopp.

9,50 

„Alles kommt ans Licht“

A self-portrait of a composer: Rihm on his origins, attitude and artistic thinking.

9,50 

„Sie sind doch hier der Geiger!“

Rolf MĂĽller-Blagovich remembers his time in the centers of new music after 1945 - before his work as concertmaster in MĂĽnster and Essen.

10,00 

Guernica

This study analyzes Picasso's masterpiece as an aesthetically complex response to total destruction and highlights its impact between abstract expressionism and political iconography.

9,00 

Abends in die Scala

"Loge und Liebe": When operatic sound ignites the art of storytelling and literature becomes a stage.

9,00 

Der bewegliche Klang

The texts examine the changes and continuities of a 'tone of resistenza' in Nono's early work.

9,00 

Wenn die Musik nicht wär’

Texts on Liszt, Verdi, and Hesse: Wolzogen parodies the Liszt myth, Werfel sparks the Verdi renaissance, Hesse's Glass Bead Game remains a pale utopia.

8,00 

Vom Leid zum Lied

Between stage glory and failure: Three artists' destinies between pathos and parody.

9,00 

Pariser Portraits

Caprices 8 looks back on the turbulent period of art in Paris between the Belle Époque and the 1920s.

12,00 

Die Sprache des Hasses

Analysis of Wagner's pamphlet as an example of ethnic hate speech and rhetorical structure in the context of 19th-century German cultural nationalism.

8,00 

Ozeanisches GefĂĽhl

Theodor Fontane and Romain Rolland on Richard Wagner and Ludwig van Beethoven.

8,00 

Der Zemlinsky-Ton

Caprices 6 revolves around the "genuine Zemlinsky tone" so beloved by Alban Berg.

9,00 

Musik als Geschichte – Geschichte als Musik

In Caprices 4, Stefan Litwin uncovers a sounding autobiography in Schönberg's piano concerto.

9,00 

Die durchbohrte Zeit

Caprices 3 contains observations of works from the perspective and practice of a conductor.

8,00 

Moses-Fantasie

An introduction to Arnold Schoenberg's Moses und Aron.

8,00 

„Dem folgt deutscher Gesang“

Adorno's miniature on Carl Maria von Weber's Freischütz is more than a tribute—it is an artful, yet ambivalent declaration of love.

8,00 

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