Book cover: Daxophonie

Daxophonie

A catalogue-book about Hans Reichel, the “universal artist” from Wuppertal, the third member of the Triumvirate alongside Brötzmann and Kowald.

38,00 

Book Cover: Communication and Technology in the Dance Theater Piece *enactment::interchange*

Kommunikation und Technologie in dem Tanztheaterstück enactment::interchange

In her book, composer and multimedia artist Xiao Fu analyzes the aesthetic, biographical, and technical background of her dance theater project.

28,00 

Book Cover: Teaching Under Pressure

Lehre unter Strom

Models for and critical perspectives on new teaching and learning.

32,00 

Book Cover: Works in Memoriam

Werke in memoriam

A musical memory.

36,00 

Book cover: Don't Tell Anyone

Sag das niemandem

David Geringas talks about music, emigration, and survival—a portrait of a cellist of the century.

34,00 

Book cover: Claude Debussy: Piano Recordings

Claude Debussy: die Klavieraufnahmen

An interdisciplinary volume on Debussy’s 1913 Welte piano rolls, spanning performance analysis, the history of technology, and piano pedagogy.

0,00 

Book Cover: Shostakovich's Musical Language

Schostakowitschs Musiksprache

Exciting discoveries were made at the symposium "Shostakovich's Musical Language - Compositional Techniques and Narration".

49,00 

Book cover: Serendipity

Serendipity

Jürgen Wuchner's musical legacy – 75 compositions and personal reflections.

36,00 

Book Cover: Sinusoidal Run Rhythm – Print

Sinusoidal Run Rhythm – Print

The sinusoidal running rhythm thus understands rhythm as a wave and clearly differs from the conventional rhythm theory of the European musical tradition.

29,00 

Book Cover: Perpetuum. My Life Through Music

Perpetuum. Mein Leben durch Musik

In this book, Darmstadt-based composer Barbara Heller writes about her life as a musician and composer.

28,00 

Book cover: Watching with my Ears

Watching with my Ears

"Jorgo hears and sees with his eyes and ears and takes risks when creating the sheets himself. As soon as the last note has faded away, the picture is finished; nothing more is added or painted over. The element of spontaneity is at the forefront—painting as improvisation." (Stefan Altevogt)

39,00 

Book cover: Parlez-moi d’amour

Parlez-moi d’amour

French chansons from the years 1870 to 1940 impressively embody the painful times of social upheaval.

9,50 

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