Don’t think positive

The book highlights positivist trends in musicology and contributes to the current discussion on methodology.

19,00 

Leonard Bernstein

A richly illustrated volume about Leonard Bernstein's multifaceted relationship with Vienna.

29,00 

Musik der USA

60 years after the last German-language introduction to the music of the USA, here is another attempt to present the many different strands of development in American music history.

59,00 

Ludwig Thuille und die Münchner Schule

This book examines composition theory and practice in Munich at the turn of the 20th century.

46,00 

Formale Konzepte der ersten Sinfonien W.A. Mozarts

A contribution to the musical form of early Viennese Classicism.

42,00 

Process and Form: Selected Writings on Music

Gotttfried Michael Koenig shaped serialism, sonology, and algorithmic thinking — this volume presents key texts from 1954–2001.

32,00 

Sätze über musikalische Konzeptkunst

I completely understand it when a musician today says: "I hate conceptualism, but I can't stand any other music."

16,00 20,00 

con tutta forza. Bernd Alois Zimmermann

A compelling portrait of the composer, caught between artistic vision and personal struggles—featuring unpublished documents, photos, and interviews.

39,00 

Kammermusik der Gegenwart

This publication brings together 55 essays on the forms, questions, and facets of contemporary chamber music.

29,00 

Klanglandschaften

On the diverse ways nature is reflected in music, from Schütz to Björk, exploring themes of imitation, sound ecology, and influences from the visual arts.

24,00 

Salvatore Sciarrino. Vanitas

An interdisciplinary volume on Salvatore Sciarrino's composition Vanitas —with musicological, literary, and art-historical approaches to the aesthetics of transience.

28,00 

»kunst ist das gegenteil von verarmung«

This analysis examines Hans-Joachim Hespos’ compositional strategies—which navigate the tension between excessive demands, theatricality, and notation—and demonstrates how his works deliberately engage with ambiguities in interpretation and reception.

28,00 

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