Black Music/Jazz

Book Cover: Graphic Works 1959–2016

Graphic Works 1959-2016

Brötzmann's graphic work is—like his music—raw, unmistakable, and deeply personal: a bold visual language influenced by Fluxus, advertising, and an uncompromising inner logic.

49,00 

Book Cover: Gender and Identity in Jazz

Gender and Identity in Jazz

This volume contributes to an important discourse.

28,00 

Book cover: Jazz Debates

Jazz Debates / Jazzdebatten

Jazz debates mark aesthetic shifts. This book explores gender, identity, and the contested meaning of "jazz" in global contexts.

24,00 

Book cover: Hear and Now

Hear and Now

A standard work on improvised music, focused and unique.

28,00 

Book cover: We thought we could change the world

We thought we could change the world

Rare insights into Brötzmann’s world—through interviews, photos, and his artwork.

22,00 

Book cover: Jazz. School. Media.

Jazz. Schule. Medien.

How can jazz be communicated? Articles about jazz in the classroom, in the media and about music strategies for a curious audience in the digital age.

24,00 

Book Cover: Jazz Stories from Europe

Jazzgeschichten aus Europa

Jazz in Europe as a narrative experience: not a comprehensive overview, but rather compelling episodes spanning resistance and emancipation.

28,00 

Book Cover: Aspects of Free Improvisation in Music

Aspekte der Freien Improvisation in der Musik

Thirty-three outstanding representatives of the improvisation scene, as well as composers and musicologists, reflect in writing on freely improvised music.

29,00 

Book cover: Spirits Rejoice!

Spirits Rejoice!

An intensive search for clues into Albert Ayler's musical vision and mysterious death.

19,00 

Book cover: The 4th Quarter of the Triad. Tony Oxley

The 4th Quarter of the Triad. Tony Oxley

A drummer who moves between free jazz, ECM, graphic scores—and a life full of musical detours.

24,00 

Book cover: Albert Mangelsdorff

Albert Mangelsdorff

This anthology illuminates facets of the trombonist's work, looks at parallel musical and aesthetic developments, but also at recent developments in German jazz.

27,00 

Book cover: Klezmer

Klezmer

The book is a well-researched and vivid introduction to klezmer music against the backdrop of the living conditions of Eastern European Jews.

29,00 

Book Cover: Encounters

Begegnungen

Jazz as a global dialogue: Blending African-American roots with local influences, it gives rise to a music that transcends both world music and the mainstream—open, creative, and unique.

24,00 

Book Cover: Jazz Meets Pop Meets Jazz

Jazz goes Pop goes Jazz

Jazz Between Pop and Art: The 9th Darmstadt Jazz Forum explores historical, aesthetic, and economic aspects at the intersection of jazz and pop.

22,00 

Book cover: Improvising...

Improvisieren…

The symposium of the 8th Darmstadt Jazz Forum takes a look at the role of improvisation in jazz, its influence on other musical genres and other arts.

19,00 

Book cover: Free Jazz

Free Jazz

Reissued unchanged, this book remains a timeless document of free jazz.

28,00 

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