Covers of *Sound Studies* and *Sonic Arts Reader 2: Sound in Artistic Research*

Sound Studies and Sonic Arts Reader 2

What happens when listening itself becomes research? International artists and scholars explore sound as a form of knowledge—ranging from Arctic sonar to web cookies, decolonial listening practices, bodies, care, and surveillance.

29,00 

Book Cover: The Sonic Real: Hearing the Other

The Sonic Real: Hearing the Other

What do we hear—and what escapes our hearing? *The Sonic Real* brings philosophy and sound art into dialogue and opens up new perspectives on sound, perception, and reality.

18,00 

Book Cover: Speaking Clearly

Speaking clearly

Four Decades of New and Experimental Music from a Composer’s Perspective: on Cage, Wolff, Stockhausen, Feldman, Darmstadt, the avant-garde, and the political conditions of musical life—a panorama of music from 1985 to the present that is as personal as it is critical.

28,00 

Book Cover: Beyond Musical Borders

Beyond Musical Borders

Composition, improvisation, and listening without fixed boundaries: *Beyond Musical Borders* combines 26 open-ended compositions with a guide to migration and musical exchange, as well as comprehensive “inside–outside ear” training. A practical guide for musicians who want to expand their musical ear, rethink musical material, and develop their own musical language.

24,00 

Book Cover: Morton Feldman

Morton Feldman

What changes when we listen to the same music over and over again? In fifty fragmentary chapters, Guillaume Belhomme traces Morton Feldman’s *For Bunita Marcus* through time, silence, memory, and landscapes—weaving together music with Beckett, Cage, and the New York School to create a literary essay on the art of listening.

12,00 

Book cover: “Don’t Tell Anybody”

“Don’t tell anybody”

David Geringas talks about music, emigration, and survival. A portrait of a cellist of the century—now available in English as well.

34,00 

Book Cover: The Voice of Music

Die Stimme der Musik

What language does music speak? This volume considers music as a language in its own right and explores its expression, its meaning, and its philosophical power.

18,99 28,00 

Book Cover: Gap Trap Laugh

Gap Trap Laugh

What happens when music criticism itself becomes art? Ty Bouque’s SYNKOPEN essay, “Gap Trap Laugh,” explores Liza Lim’s music, feminist philosophy, and the power of speculative thinking—radical, poetic, and thought-provoking.

16,00 

Book Cover: UNDERPLANET

UNDERPLANET

What happens when sound becomes a material force? UNDERPLANET combines experimental sound art with decolonial philosophy and ecology—and offers a radically new perspective on the relationship between sound, the Earth, and politics.

12,00 

Book cover: Where should I turn…

Wohin soll ich mich wenden…

What happens to art when it loses its spiritual dimension? Thomas Grötz explores the connection between spirituality and contemporary music—a thought-provoking SYNKOPEN essay on transcendence, the philosophy of culture, and the future of aesthetic experience.

14,00 

Book cover: Map, clock, and sheet music

Karte, Uhr und Partitur

In his widely acclaimed collection of essays, Johannes Schöllhorn unfolds a fascinating panorama in which music intersects with art, philosophy, history, and politics. An insightful, vivid book full of surprising ideas—now available again in its second edition.

38,00 

Book Cover: To Cologne

Nach Köln

Konrad Boehmer’s autobiographical memoirs are as sharp-tongued as they are moving: Against the backdrop of his childhood during the war, the Cologne avant-garde, and the Darmstadt Summer Courses, a portrait emerges of an uncompromising composer who recounts the history of New Music from up close—and relentlessly questions its myths.

28,00 

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