Destination unknown

What does the jazz of the future sound like? Who do we reach with this music and who do we want to reach? How important are spaces, both literally and metaphorically, to enable musical creativity, and how do we secure them? How did musicians of the past see the future of their art and what can be deduced from this for the present? Does it even make sense to talk about the future of a music that seems to be a genre of the past? And what exactly is "jazz" in a post-genre world? This book contains some answers, but above all further questions that show that jazz, improvised music, Black American music or whatever you want to call it, has a future precisely because it takes up discourses of the present, turns them around, twists them and reveals new perspectives.

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