Schnebel ’60

This volume brings together texts, analyses, memoirs, and tributes to Dieter Schnebel, one of the most radical and versatile composers of the postwar era. Contributions from international authors, colleagues, and students shed light on Schnebel’s work, which spans serial rigor, experimental openness, political engagement, and spiritual exploration. From the early Two Studies for Piano and Live Electronics through the Dahlem Mass to his works in music theater, the book covers a wide range. Voices from John Cage, Christian Wolff, Hans Rudolf Zeller, Alvin Curran, Gerhard Stäbler, Isabel Mundry, and many others paint a multifaceted portrait of a composer who always understood art as a transgression of boundaries.

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