German

Camille Saint-Saëns

"I, on the other hand, pursued the chimera of purity of style and perfection of form", Saint-Saëns wrote in 1885, directing his "énergie intellectuelle" towards classicism in the midst of romantic seduction.

9,50 

Eine Natürliche Geste

Luigi Gaggera's book is a resounding philosophy of music-making—for anyone who wants to approach their passion with depth.

20,00 

„Spielen Sie Stockhausen wie Beethoven“

Biography and pedagogical work of one of the most versatile of the great pianists of the 20th century.

42,00 

Daxophonie

A catalogue-book about Hans Reichel, the “universal artist” from Wuppertal, the third member of the Triumvirate alongside Brötzmann and Kowald.

38,00 

Kommunikation und Technologie in dem Tanztheaterstück enactment::interchange

In her book, composer and multimedia artist Xiao Fu analyzes the aesthetic, biographical, and technical background of her dance theater project.

28,00 

Lehre unter Strom

Models for and critical perspectives on new teaching and learning.

32,00 

Werke in memoriam

A musical memory.

36,00 

Sag das niemandem

David Geringas talks about music, emigration, and survival—a portrait of a cellist of the century.

34,00 

Claude Debussy: die Klavieraufnahmen

An interdisciplinary volume on Debussy’s 1913 Welte piano rolls, spanning performance analysis, the history of technology, and piano pedagogy.

0,00 

Schostakowitschs Musiksprache

Exciting discoveries were made at the symposium "Shostakovich's Musical Language - Compositional Techniques and Narration".

49,00 

Composing While Black

"Composing While Black is a brilliant collection of essays on the black presence in contemporary classical music." – Kofi Agawu

22,99 29,00 

Serendipity

Jürgen Wuchner's musical legacy – 75 compositions and personal reflections.

36,00 

Perpetuum. Mein Leben durch Musik

In this book, Darmstadt-based composer Barbara Heller writes about her life as a musician and composer.

28,00 

Watching with my Ears

"Jorgo hears and sees with his eyes and ears and takes risks when creating the sheets himself. As soon as the last note has faded away, the picture is finished; nothing more is added or painted over. The element of spontaneity is at the forefront—painting as improvisation." (Stefan Altevogt)

39,00 

Die Avantgarde war ein Irrtum

A life spent between musical avant-garde, political exile, and biting satire.

9,00 

Ins Unbekannte

Analysis of Polyphonie X, Boulez's early, legendary serial experiment.

46,00 

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