Between master class and meditation: This collection documents Morton Feldman’s appearances at the “Nieuwe Muziek” festivals from 1985 to 1987. In conversations with colleagues such as Iannis Xenakis, Louis Andriessen, and Misha Mengelberg, as well as in lectures, introductions, and intensive teaching sessions, Feldman offers deep insights into his thinking about time, sound, composition, and form. Supplemented by texts by Bunita Marcus, Gisela Gronemeyer, Reinhard Oehlschlägel, Ernst-Albrecht Stiebler, and Raoul Mörchen, the volume offers a rare snapshot of a musical school of thought that defies easy categorization—full of humor, precision, and resilience.
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